Could it be sacrilege to declare that the best-looking film established in Paris was shot by a handful of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French money – in addition to the neoclassical edifices of Mussolini’s Rome – in great blues and shards of light as https://colab.research.google.com/drive/1uOuqECQ6jeJrjgNVNnwzuHGx1fUW-_eg?hl=et